Reema Arif Hamza / 0362792
Module / Bachelor of Design (Hons) in Creative Media / Taylor's University
Task 3: Type Design and Communication
Content
Lectures
All lectures completed in Task 1: Exercises 1 & 2Instructions
Task 3: Type Design and Communication
You will be tasked to design a limited number of Western alphabets. To begin, choose an existing font design that adheres to the direction that you would like to head in. Study the font carefully by analyzing its anatomical parts. You will endeavor to create a typeface that has the hallmark of a good typeface; subtlety or character, presence, legibility, and readability. Below are the letters you will design: a e t k g r i y m p n ! # , . Upon completion of the font, you will create a basic A4-size poster displaying your font
Process
I identified a reference font called Kavivanar which was similar to the
calligraphic approach I envisioned for my font. I studied the font, its
varied thicknesses, its curves, and the ratios used. The deconstruction
process helps me develop my typeface design further.
Fig. 1.1 Deconstructed 'Kavivanar' Font, Week 9 (30/05/2023)
I practiced using 5 different tools and did vertical, horizontal, and
circular strokes. Then picked (starred in yellow) the ones I preferred
the most.
Fig. 1.2 Vertical, horizontal, and circular strokes for each tool,
Week 9 (30/05/2023)
After that, I wrote " a e t k g r i y m p n " in uppercase and
lowercase letters for each chosen style. Then I picked the brush pen
letter style because it was the best option. I then practiced the
chosen style multiple times to maintain the same angle, pressure, and
writing characters.
Fig. 1.5 Font Components, Week 13 (26/06/2023)
Over time my font evolved into a more refined version, through many
trials and errors. It went from bubbly to clean and straight. At
first, I used the curvature tool to trace my image, based on feedback
I switched to a brush tool to have more control and refine it to look
more like a typeface.
Fig. 1.7 Copying and pasting letters into Fontlab, Week 13
(26/06/2023)
Fig. 1.8 Character Map Fontlab, Week 13 (26/06/2023)
After pasting all my characters in I started the kerning process,
keeping the left margin at 0 and editing the right margin, and
adjusting after that.
Fig. 1.8 Kerning Fontlab, Week 13 (26/06/2023)
Final
Font Download Link:
Download font here
Fig. 1.10 Metrics Window with Sentence, Week 13 (26/06/2023)
Fig. 1.11 "Hufflepuff" Poster Final JPEG, Week 13 (26/06/2023)
Fig. 1.12 Final Task 3A: Type Design and Communication "Hufflepuff"
PDF, Week 13 (26/06/2023)
Feedback
Week 12
General Feedback: Make sure the poster sentence includes all the
letters given.
Specific Feedback: You can move your words down so the space is
even and the composition is more balanced.
Week 11
General Feedback: look at the link in regard to punctuation
marks.
Specific Feedback: The stroke of the m could be centered,
and the k stroke isn't smooth. Overall, it could be refined further into
something more crisp and clean (curves and sharpness emphasized). Strokes
need to be consistent between letters.
Week 10
General Feedback: You've translated your handwriting into
Illustrator but now you need to refine it into a typeface. It doesn't
have to be super close to the original image it can evolve.
Specific Feeback: Right now your letters look like they've been
image traced. The one done using the brush pen is good, start again
using the brush pen. The vertical & horizontal strokes can be reused
for different letters. You can use the letter O to get the curved
strokes.
Week 9
General Feedback: When doing digitalization make sure to start
correctly in size.
Specific Feedback: Choose uppercase or lowercase, when you start
your digitalization you can use the brush tool.
Independent Learning Week (no feedback)
Reflection
Experience
This was a very tough typography project for me, I felt very confined by my
initial sketch at first. But after a while, I managed to push more and
explore further into my typeface.
Observation
I observed that fonts are very detailed and require certain nuances to get
right. That idea of an optical illusion to give the idea of balance is
honestly amazing. I have a new found appreciation for those who take the
time to make fonts.
Finding
I found that creating a typeface is very difficult. You have to be patient, and fastidious, and it's pretty tiring. I hope that my skills will grow and I'll be able to create even better fonts in the future.
I found that creating a typeface is very difficult. You have to be patient, and fastidious, and it's pretty tiring. I hope that my skills will grow and I'll be able to create even better fonts in the future.
Further Reading
From the list of recommended books for further reading, I chose to
read ' Typography Referenced' which compressive visual guide on
language, history, and the practice of typography.
Reference: Haley, Alleb. (2012). Typography Referenced.
Pages 33- 53: focuses on Typographic principles, I learned a lot
about how they transform a letter into a typeface.














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